Handel’s Messiah

Bass Soloist

“Firmly planted and commanding, sonorous baritone Christopher Hillier made impressive work of Part 2’s Though art gone up on high then a threateningly bold Why do the nations rage. Possessing a powerful instrument with the ability to manipulate it with well-wrought intensity and expressivity, Hillier finished with a noble and resonant The trumpet shall sound” - Arts Review

Carols in the Cathedral Royal Melbourne Philharmonic

Baritone Soloist

“a very expressive soloist, Christopher Hillier, had the crowd in his hand with The Holy City” - Classic Melbourne

Metamorphosis

Father

“Hillier… his powerful baritone cutting through the orchestral web with ease” - Australian Book Review

Bernstein Mass

Celebrant

“Baritone Christopher Hillier managed it perfectly in this committed performance… His singing throughout was accurate, mellifluous and full-toned when required: an impressive achievement” - Limelight Magazine

La Traviata

Germont

“…his performance of Di Provenza il mar (La Traviata) was easily my favourite of the night. A lyrical melody pairs with the somewhat bitter lyrics to tell the story of Germont’s rather poor attempt to console his son Alfredo, and Hillier was able to paint an accurate and dramatic characterisation of Germont, ingeniously bringing out a narcissistic bitterness in his voice.” - The Flying Inkpot

Le Nozze di Figaro

Il Conte

“Christopher Hillier was a vocally impressive Count” - Stage Whispers